Leo Brouwer: Hika ‘In Memoriam Toru Takemitsu’ – Play streams in full or download MP3 from Classical Archives (), the largest and best. Check out Hika “in Memorian Toru Takemitsu” Leo Brouwer by Manuel Espinás on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on.
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Japanese koto music on guitar. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. While there is an overarching “lament” feel running throughout, it may help to pick up the sections within the piece as separate “episodes of lament” and contrast them accordingly – and I feel that the composition has been “encoded” with interpretative clues for this to happen.
I will report back when I have started learning the piece. Also check out Shin-Ichi Fukuda’s recording if you can get your hands on it, which I consider to be the best version.
It is nonetheless perfectly suited to this piece after Takemitsu. Any thoughts of the Delcamp community on this piece?
He uses the melody that first appeared in his very early “Tres Apuntes” and there called “Bulgarian. Our website is made possible by displaying online advertisements to our visitors.
Reedition Domingo Esteso by Conde Hermanos ; Kenny Hill, model Barcelona “While you try to master classical guitar, prepare for a slave’s life: There’s nothing wrong with pleasure is there? Board index All times are UTC. It’s full of contrasts: Always liked the piece.
Brouwer – Hika – your thoughts? I particularly endorse David Belcher’s point about the transitions. Costas told me in a masterclass that the melody is actually Homeric in origin—that is very ancient indeed! Glad you may stick around longer—this forum benefits from the likes of you! Classical Guitar Skip to content.
Another important thing to consider is that “Hika” is a lament in Japanese musical tradition from what I understand and so this piece in memory of Brouwer’s good friend, Toru Takemitsu, is really a sort of mournful elegy in his memory. What would we do without all your reports on the Brouwer festivals and other helpful posts? The basic thing about playing the guitar is the pleasure you get from it. This is a challenging piece, not necessarily because of the quick passages many of these are aided by the scordaturabut because of the difficulty of maintaining the appropriate feel throughout the various transitions.
I brouqer a lot of Brouwer the last few years, somehow his music fits my way of playing.
I don’t know his sources and have not studied this myself, so I’d be interested to hear about it too!